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Harold Edwin Darke (29 October – 28 November ) was an English composer and His famous setting of Christina Rossetti’s In the Bleak Midwinter is often sung at the service of Nine Lessons and Carols at King’s College. Harold Darke’s In the Bleak Midwinter, originally made famous by the Choir of King’s College, Cambridge, for SATB Choir with Organ accompaniment. Musical setting for mixed voices (SATB), solo soprano & tenor, and keyboard. Original setting includes soprano and tenor solos, SATB chorus, organ (or.

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His first organist post was at Emmanuel ChurchWest Hampstead from to That day will bring about the destruction of the heavens by fire, and the elements will melt in the heat. Organist of St Michael, Cornhill — Christmas carols Poetry by Christina Rossetti. Darke would complain, however, that the popularity of this tune prevented people from performing his other compositions, and rarely performed it outside of Christmas services.

Holst’s setting, “Cranham”, is a hymn tune setting suitable for congregational singing, since the poem is irregular in metre and any setting of it requires a skilful and adaptable tune. It is widely accepted that the Cornhill Lunchtime Organ Recitals series begun by Darke in is the longest-running lunchtime organ concert series in the world; the series has flourished under his successors Richard Popplewell and midwintfr present Organist, Jonathan Rennertfrom to the present.

In the bleak midwinter (Harold Darke) – ChoralWiki

From Wikipedia, the free encyclopedia. Retrieved 26 November The third verse dwells on Christ’s birth and describes the simple surroundings, in a humble stable and watched by beasts of burden.


By using this site, you agree to the Terms of Use and Privacy Policy. This Is Our Song: In verse two, Rossetti contrasts Christ bleakk first and second coming.

Similar language is used in II Peter 3.

Harold Darke

But in keeping with his promise we are looking forward to a new heaven and a new earth, where righteousness dwells” NIV. Rossetti achieves another contrast in the fourth verse, this time between the incorporeal angels attendant at Christ’s birth with Mary ‘s ability to render Jesus physical affection. Most of his other compositions that are still performed are settings of the Anglican liturgyespecially his three Communion Services in E minor, F, and A minor; and his Magnificat and Nunc Dimittis in F.

The Darke setting, written in while he was a student at the Royal College of Musicis more advanced.

By using this site, you agree to the Terms of Use and Privacy Policy. Gustav Holst’s tune, Cranham Four verses arranged for congregational singing. In the bleak midwinter”. In verse one, Rossetti describes the physical circumstances of the Incarnation in Bethlehem.

Gustav Holst’s tune, Cranham. In the Bleak Midwinter. Darke served as conductor of the choir during World War II.

Benjamin Britten includes an elaborate five-part setting of the first verse for high voices combined with the medieval Corpus Christi Carol in his work A Boy was Born. Webarchive template wayback links Articles with hAudio microformats. In the bleak mid-winter Frosty wind made moan; Earth stood hard as iron, Water like a stone; Snow had fallen, snow on snow, Snow on snow, In the bleak mid-winter Long ago.


Views Read Edit View history. Harold Darke ‘s anthem setting of is more complex and was named the best Christmas carol in a poll of some of the world’s leading choirmasters and choral experts in The final verse shifts the description to a more introspective thought process.

In the Bleak Midwinter – Wikipedia

Problems playing this file? Retrieved from ” https: The hymn is titled after Cranham, Gloucestershire and was written for the English Hymnal of This page was last edited on 18 Decemberat Retrieved from ” https: This page was last edited on 24 Decemberat Wikisource has original text related to this article: What can I give Him, Poor as I am? For the mystery novel of the same name, see In the Bleak Midwinter novel. Darke’s work as Conductor of St Michael’s Singers was crowned in on the occasion of the Choir’s 40th Anniversary with the first performance of a number of now well-established works composed especially for the occasion – notably “Hierusalem” by George Dyson and “A Vision of Aeroplanes” by Ralph Vaughan Williams.

The text of this Christmas poem has been set to music many times, the most famous settings being composed by Gustav Holst and Harold Edwin Darke in the early 20th century.