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Download Citation on ResearchGate | The Henri Tomasi trumpet concerto: a musical score analysis / | Thesis (D.M.A.)–University of Houston, Degree. Henri Tomasi’s Trumpet Concerto solo Documents Similar To Trumpet Concerto Tomasi. Uploaded by. Paulo Thiago Sprovieri. Barat Trumpet Fantasie. Tomasi: Trumpet Concerto: I Allegro – Henri Tomasi, Le Triomphe de Jeanne, Henri Tomasi, Orchestre national et Choeurs de la RTF – Jean Fournet (dir).

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Diatonic and chromatic melodic lines predominate, supported by tertian and polychordal harmonies. It is cordially dedicated to Monsieur Beaucamp.

He felt that dodecaphonic music could be used occasionally when needed or called for. It can be performed with clarinet and piano or clarinet and orchestra.

Unfortunately, there is no commercial CD recording available with clarinet and orchestra and only one recording with piano reduction Actually, the clarinet concerto was recorded with orchestra and released on the CD “20th Century Clarinet Concertos” by the Koch Schwann label [5].

At the age of five, the family moved to Mazarques, France where Trmupet Tomasi worked as a postal worker.

The virtuoso Scherzo finale is in a sonata rondo construction. There is a brief slow interlude before the first tempo returns. His Requiem was set aside and was not discovered again and recorded until From Wikipedia, the free encyclopedia. Everything has been said and everything has been done.


Introduction et Danse was composed in and dedicated to the clarinetist Louis Cahuzac. Henri Tomasi 17 August — 13 January was a French classical composer and conductor. Nocturne was first published in by Pierre Noel. A polychord opens the Andantino introduction.

More by Henri Tomasi

Suddenly, it will be a romantic concerrto fantastic escape; rides through landscapes of dream, continuations, etc. What good is it to invent new forms of speech? He utilized many styles including Oriental recitative and twelve tone techniques but they were always personal and unique to him.

He composed concerti for fluteoboeclarinetsaxophonebassoontrumpethornand trombone.

It reflects Tomasi’s postwar disillusionment with mankind. He was one of the conductors for studio broadcasts of the Orchestre Radio Symphonique de la Radiodiffusion Francaise.

Henri Tomasi

It is improvisatory in nature and Tomasi uses motives and develops them like his French compatriot, Jolivet.

Tomasi became one of the first radio conductors and a pioneer of “radiophonic” music. He felt that his experience from conducting enabled him to orchestrate with more skill.

The furious agreements of the beginning will bring back to reality soloist and orchestra for an increasingly disheveled final conclusion. It has a connotation of delicacy, refinement, and gracefulness.

I write for the public at large. There is other worthy chamber music by Tomasi utilizing the clarinet to explore. The short development at rehearsal 10 is followed by a recapitulation at rehearsal He became extremely sought-after as a guest conductor all over Europe. Richard Wagner was never an influence on him. Tomasi composed in an economical manner, deriving thematic material from motivic cells. There are traditional key centers in a flexible framework.


Please help improve this article by adding citations to reliable sources. At the age of seven, Tomasi entered the Conservatoire de Musique de Marseille. On trumpef January he died peacefully in his apartment in MontmartreParis. Tomasi had dreams of becoming a sailor and skipped many of his music classes. The copyright was later taken over by Gerard Billaudot in He says of the first movement, “of odd and burlesque pace, the principal topic must be interpreted like trujpet improvisation, with some lyric and dark abandonments rather discrete.

Henri Tomasi – Wikipedia

The dance is a play with freedom and constraint. The second movement is marked Mysterieux. Music that doesn’t come from the heart isn’t music. The dialogue between soloist and orchestra will be increasingly pressing, to go towards a lyrical and impassioned exultation. He performed in diverse venues such as upscale hotelsrestaurantsbrothelsand movie houses. He made his most memorable recording in with the extraordinary French mezzo-soprano Alice Raveau in Gluck ‘s Orfeowhich was awarded the Grand Prix du Disque.

The changing meters give it impetus.