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Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, Britten composed this work for solo oboe for the oboist Joy Boughton who premiered the piece. Metamorphoses after Britten are just that: four miniatures, each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Benjamin Britten. Metamorphoses (6) after Ovid, for oboe solo, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓.

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AllMusic Featured Composition Noteworthy. The fifth, marked lento piacevoleis meant to convey the act of staring at a reflection in a pool. NIOBE who, lamenting the death of her fourteen children, was turned into stone. The next real concert piece after the Metamorphoses would be the Sonata for cello and piano of Sexy Trippy All Moods. Rainy Day Relaxation Road Trip. Home News Contacts Copyright.

Classical Net – Britten – Six Metamorphoses after Ovid

Homage to Paderewski Variations on an Elizabethan Theme Britten ‘s only work for solo oboe takes Ovid’s famous literary work by the same name as its starting point. The work focuses six episodes into musical sequences that give full expression to both Britten ‘s melodic ingenuity and the oboe’s expressive range, which is expanded to include far more than just traditional technical idioms and coloristic possibilities.

Brirten of compositions by Benjamin Britten Category: Complete Works with Oboe. Introspection Late Night Partying. From Wikipedia, the free encyclopedia. Please enable JavaScript in your browser to use the site fully. Romantic Evening Sex All Themes. Jazz Latin New Age.


Six Metamorphoses after Ovid – Wikipedia

Genre Chamber Music Classical. Works metamorphosees Oboe and Piano. Benjamin Britten Six Metamorphoses after Ovid Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet’s work.

Piano Concertorev. Certainly one might well wonder, upon first encountering the Metamorphoses, why Britten chose an instrument as seemingly limited as the oboe. Oboe – Solo and Accompanied.

Each of the six sections is based on a character from Roman mythology who is briefly described: Share on facebook twitter tumblr. Ovid’s greatest work, Metamorphoses, is a fifteen-volume treatise of the disillusionment of his generation described in terms of the instability of nature.

Drinking Hanging Out In Love. By virtue of the metamorphosew being written for a solo instrument, Britten allows the performer licence to be highly expressive.

Music By Benjamin Britten. Obviously, the many fermatas and rests that pop up throughout this and the other five movements are not only for the purposes of isolating different musical fragments, but also designed to keep the performer from passing out. AllMusic relies heavily on JavaScript.


Six Metamorphoses after Ovid, op. 49, by Benjamin Britten, 1951.

The piece was inspired by Ovid’s Metamorphoses. The music of the first metamorphosis echoes the “free-spirited” character of its titular figure: When Wind Brittne to Sparse Bamboo. Night Mail The Prince of the Pagodas Master of the Oboe: War Metamorphoss film.

Six Metamorphoses after Ovid. Interlude in A Minor Op. The work concludes with a “pleasant and meandering” representation of beauty and flow. Retrieved 2 August Abstract, non-linear use of pseudo-traditional harmonies such as triads, dominant seventh chords with irregular resolutions, etc.

Six Metamorphoses after Ovid Op. Benjamin Britten ‘s Six Metamorphoses for oboe solo, Op.

Retrieved from ” https: By using this site, you agree to the Terms of Use and Privacy Policy. After a musical portrayal of Bacchus, Britten moves on to the appropriately reflective tale of Narcissus and finally to the waterlogged cellular variations of Ovid’s Arethusa. Views Read Edit View history.

Metamorphoses (6) after Ovid, for oboe solo, Op. 49

The characteristics brittn each God can therefore be fully represented through the performance. Britten turned for inspiration to Ovid, the exiled Roman poet who died in 17 A. Masters of the Oboe.