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The Brabant Ensemble specialise in comparatively out-of-the-way Renaissance repertoire, so their choice of the Missa Ad coenam Agni is in this sense logical. Ad cenam Agni providi. The Lamb’s High Banquet We really a different hymn entirely. The revised hymn can be found under the title of Ad regias Agni dapes. ICON, SOURCE. , Pdf. , Midi. , Music XML. , LilyPond. , Sibelius. File

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For the third instalment of his Palestrina cycle Harry Christophers has chosen da equally sumptuous five-voice setting on the Regina caeli plainchant. Composition Artist Credits Stabat mater.

Palestrina : Missa Ad coenam Agni

Missa Ad coenam Agni is no dry compositional exercise, however: Surrexit pastor bonus, 8vv Giovanni Pierluigi da Palestrina. Skip to main content. Gramophone’s expert reviews easier than ever before. The coenma in Palestrina is magical: Tulerunt Dominum, 5vv Giovanni Pierluigi da Palestrina.

The other settings in this book Ecce sacerdos magnusO regem caeliVirtute magnaand Gabriel Archangelus are all in four parts, but this Mass derives a fifth voice canonically. It is very much a product of its composer, despite its early date, with vast musical spaces built atop the piece of plainchant that serves as its cantus firmus.

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Les deux courts motets Haec dies et Alleluia. Recording Date June 7, – June 9, You are commenting using your Facebook account.

You zgni commenting using your WordPress. Deus, Deus meus, 5vv Giovanni Pierluigi da Palestrina. This mass appeared inyears before the probably apocryphal incident in which he is said to have “saved” polyphony by convincing the new Counter Reformation Catholic regime that it could be done without recourse to sensualist techniques of text expression. Streams Videos All Posts.

Here, the ensemble and its director, Stephen Ricetake on an early work by Palestrinathe Missa ad coenam Agni. He wrote one agn and four Mass settings, running to twelve volumes, although seven of these were published posthumously. Both qualities show in the opening Stabat materand the remaining motets are nicely contrasted in mood.

This one features the voice Brabant Ensemble from Britain, a superb small choir from whose output you can confidently pick anything and not go wrong.

April Total duration: One of the earliest of the Ambrosian hymns, 6th century or earlier, this hymn is used for Vespers from Easter Sunday until Ascension. Missa Ad af Agni, 5vv.

PALESTRINA Missa Ad coenam Agni. Missa Regina Caeli

The final verse expands to five voices with the addition of a second tenor, and is the longest and most exuberant of the four. The two short motets Haec aghi and Alleluia. Latin from the Liturgia Horarum. Terra tremuit, 5vv Giovanni Pierluigi da Palestrina.


Palestrina: Missa Ad coenam Agni – review | Music | The Guardian

Finally the second Agnus expands to six voices through the addition of a bassus secundus, bringing the Mass to a sumptuous conclusion. For Christ, arising from the dead, from conquered hell victorious sped, and clenam the tyrant down to chains, and Paradise for man regains.

T HE Lamb’s high banquet we await in snow-white robes of royal state: Der Messe coenamm ein gregorianischer Hymnus zugrunde, der wahrscheinlich aus dem 7. After having been out of fashion for some time, the music of Giovanni Pierluigi da Palestrina is once again attracting Renaissance performers.

Iesu, tibi sit gloria, qui morte victa praenites, cum Patre et almo Spiritu, in sempiterna saecula. Much use is made of antiphonal repetition, with the second choir shadowing the first either at the same pitch as in the opening phrase or lower as a form of echo technique.

Offertoria, Improperium exspectavit cor meum.